片名：从今天到明天
别名：从今天到明天免费在线播放
电影类别:喜剧片
连载状态：完结
发行年份：1997
首映地区：法国
导演：达尼埃尔·于伊耶,让-马里·斯特劳布
演员：内详
更新时间：2024-04-22 06:43
常见问题:
《从今天到明天》讲述的是什么故事？
神马电影网网网友：
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
《从今天到明天》是哪一年上映的？
《从今天到明天》是达尼埃尔·于伊耶,让-马里·斯特劳布于1997年拍摄的一部经典喜剧片。此片开创法国当代喜剧片的先河，《从今天到明天》上映时票房稳坐前三，创下当年纪录。当时内详均为最佳主角，内详以精彩演技和突出形象，奠定在法国影坛地位。内详饰演角色造型多年后仍为人所模仿。达尼埃尔·于伊耶,让-马里·斯特劳布之前曾被人怀疑其能力，而《从今天到明天》却奠定达尼埃尔·于伊耶,让-马里·斯特劳布电影风格。《从今天到明天》首映时曾获海外喜剧片和媒体广泛称誉，被认为其优秀程度，是足以与同时期（指1980年代）好莱坞（好莱坞）优秀喜剧片齐名。
被称为喜剧片的开先河之作的《从今天到明天》，是达尼埃尔·于伊耶,让-马里·斯特劳布最好的作品吗?
《从今天到明天》是根据一个真实故事改编的，那《从今天到明天》故事的大致内容是怎样的?？
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
《从今天到明天》电影的主要内容
《从今天到明天》是一部喜剧片电影，由导演：达尼埃尔·于伊耶,让-马里·斯特劳布执导，主演：内详，
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
《从今天到明天》在哪里可看？
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